Building Narratives:

Mythology & Poetry in Clay

October 28-29, 2017

Lauren Gallaspy The things that I love and the things that I fear refuse to balance out. They scrap like cats, cloak and conceal like kudzu, terrify and delight, like a large, shaky lake or a dog swimming hard towards a floating ball.

My work is about that imbalance: the vulnerability of living things and the sometimes violent, sometimes pleasurable, almost always complex consequences that occur when bodies and objects in the world come into contact with one another. I use ornamentation, obsessive mark-making, and decorative imagery as a kind of devotional or transformational act, a way to render interior spaces and intense psychological experiences physically.

Virgil Ortiz  Taboo is the concept of the unacceptable or forbidden. It ranges from topics we avoid in polite conversation, to that which society proscribes as outside its current social, sexual, cultural or political mores. Many actions or even social groups, which were once considered “taboo”, are now part of the mainstream. When does that which is forbidden become that which is acceptable?

Virgil Ortiz has spent a career engaging challenging themes through his provocative pottery figures and vessels. He continues a century of Cochiti Pueblo potters using their clay art as means for social commentary. Ortiz is redefining Native art through his artistry. His new works in Taboo are beautiful and at times, a bit unnerving. That’s just the way he likes it. He challenges the viewer to take in the complexity of design and form, while simultaneously processing the content. It may all be a bit taboo for Native art, but what is “cutting edge” today will certainly be the standard of tomorrow.


Contact ClayHouston at info@ClayHouston.org

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